BlackMagic URSA EF Camera Driver
Now in a smaller, more handheld-friendly form factor, the URSA Mini 4K Digital Cinema Camera from Blackmagic Design can record cinematic images with its Supermm 4K, global-shutter sensor with 12 stops of dynamic range. To produce cinematic images, the URSA Mini can record raw Lens Mount: Canon EF. Get the URSA camera with the EF lens mount and amazing 4K Super 35 image sensor with global shutter installed. The EF lens mount includes active lens. The Blackmagic Design by URSA is a k mini camera. The camera comes with a URSA EF mount which allows for auto focusing. It is a professional cinema.
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BlackMagic URSA EF Camera Driver
Simply load an empty CFast card into the second recorder and when BlackMagic URSA EF Camera current card is full, the recording will continue onto the second card, allowing you to change out the full card and keep shooting! Imagine shooting RAW and then playing back for the crew on the massive 10 inch screen!.
URSA has been designed to solve the problem of moving large amounts of equipment between locations when shooting. You get a full size professional production camera with all the accessories such as a large 10 inch on set monitor, two built in recorders, professional audio recording, built in microphones, scopes, dual status BlackMagic URSA EF Camera and more!
Designed to be Rigged! Customize your rig to suit your production! To make it super easy to bolt on your favorite accessories, Blackmagic URSA has multiple mount points all over the camera. BlackMagic URSA EF Camera get standard tripod quick release attach points on the bottom of the camera, so you can use industry standard tripod mounts. Contrast on all images above has been adjustedfor a rough match.
Blackmagic URSA Mini Pro K - EF Mount
Interestingly the image coming from the Sony FS7 seem much softer. Here you can see that the detail is very BlackMagic URSA EF Camera, but also how the codec easily falls apart on some portions of the image. The Blackmagic URSA Mini 4K however gets the best rating, as it has a global shutter sensor that does not suffer from the rolling shutter effect at all.
RAW is a very nice option and should in theory extends bit depth of your files to give you finer gradations. We did not test this. Dynamic range is not increased when using RAW, however.
So if you want the best filmic look for heavy color grading, we recommend to use the RAW option on this camera. URSA Broadcast is two cameras in one!
Ex-Demo Blackmagic Design URSA 4K EF
URSA Broadcast is the first professional broadcast camera designed to work with standard media cards and file formats that are compatible with virtually all broadcast systems and editing software. You also get a B4 lens mount that works with your existing lenses, or you can swap it for optional EF, F and PL lens mounts so you can use standard photographic lenses.
Many high quality HD lenses can be used at resolutions well beyond HD, all the way up to 2. Because B4 lenses are par-focal and have a very wide depth of field, the image stays in focus as you zoom in and out, so you don't need to chase focus as you shoot. The image sensor is designed for both HD and Ultra HD so you get amazing texture and detail, accurate skin tones, vibrant color and high dynamic range video, all without BlackMagic URSA EF Camera need for post production.
That means you can shoot, edit and get stories on air fast! The high resolution sensor is a huge advantage, even when working BlackMagic URSA EF Camera HD, because you get sub pixel image processing and superior anti-aliasing for super sharp images.
URSA Broadcast features high quality neutral density ND filters that let you quickly reduce the amount of light entering the camera.